The Building Conservation Directory 2021

107 C AT H E D R A L COMMU N I C AT I O N S T H E B U I L D I N G CON S E R VAT I ON D I R E C TO R Y 2 0 2 1 METAL , WOOD & GLASS 3.3 New gates and balustrade at Shrewsbury Cathedral (Grade II*): Bethan Griffith’s design was inspired by the cathedral’s gothic interior by architect EW Pugin and the metalwork was made by Topp & Co. The distinctly modern ironwork reredos and altar at Ely Cathedral (Grade I), was made by Topp & Co to the designs of John Maddison with technical input from Bethan Griffiths. The contemporary design respects and responds to the historic significance of its setting in the Lady Chapel where it forms a focal feature and enhances the space. Generally, new design may be considered as being either inspired by heritage or contemporary in approach. Heritage inspired is about using the style, ethos, and historical references of a specific period as inspiration and adapting features in a more modern way to give them a refreshing new life. It is an opportunity for a unique piece which, while being influenced by historical emblematic references, is a mark of its own time. If done correctly this option has the potential to achieve a design which is timeless. Contemporary design , on the other hand, creates new original work that utilises our modern day approach to design. Not bound by any specific historic style references, the designer is free to find their own response to a setting. If done well it has the potential to create a dialogue between ancient and modern that lifts the value and meaning of both. Although contemporary design is often associated with modern process and techniques of manufacture, ensuring a high quality of craftsmanship in the construction is important and will help the piece become valued for generations to come. Whichever approach you take, there is no ‘one size fits all’ in the historic environment. New work in heritage spaces will always stimulate debate, and whether the design is discreetly traditional or boldly contemporary, there will always be vehement advocates for and against the outcome. Trends and fashions change but get your design right and you may just have created your own piece of heritage for the future. Only time will tell. Recommended Reading Conservation Principles, Policies and Guidance, Historic England 2008 https://historicengland.org.uk/advice/find/ NHIG Conservation Principles , Nation Heritage Ironwork Group, nhig.org.uk/standards/conservation- principles/ New Design in Historic Settings, Historic Environment Scotland, Edinburgh 2010 Roger Hunt and Ian Boyd, New Design for Old Buildings, RIBA Publishing in association with SPAB, London, 2017 BETHAN GRIFFITHS is an independent designer and consultant who collaborates with custodians, building conservation professionals and workshops to preserve and enhance historic settings. She is the director of The Ironwork Studio www. theironworkstudio.com and also a founding member and trustee of the National Heritage Ironwork Group www.nhig.org.uk.